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on which the names of towns were printed. As these were

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P.S. Mary has seen thus far.--I am really so angry, Louisa,-- Quite out of patience, my dearest! What can the man be intending? I am quite tired; and Mary, who might bring him to in a moment, Lets him go on as he likes, and neither will help nor dismiss him.

on which the names of towns were printed. As these were

It is most curious to see what a power a few calm words (in Merely a brief proclamation) appear to possess on the people. Order is perfect, and peace; the city is utterly tranquil; And one cannot conceive that this easy and nonchalant crowd, that Flows like a quiet stream through street and market-place, entering Shady recesses and bays of church, osteria, and caffe, Could in a moment be changed to a flood as of molten lava, Boil into deadly wrath and wild homicidal delusion. Ah, 'tis an excellent race,--and even in old degradation, Under a rule that enforces to flattery, lying, and cheating, E'en under Pope and Priest, a nice and natural people. Oh, could they but be allowed this chance of redemption!--but clearly That is not likely to be. Meantime, notwithstanding all journals, Honour for once to the tongue and the pen of the eloquent writer! Honour to speech! and all honour to thee, thou noble Mazzini!

on which the names of towns were printed. As these were

I am in love, meantime, you think; no doubt you would think so. I am in love, you say; with those letters, of course, you would say so. I am in love, you declare. I think not so; yet I grant you It is a pleasure indeed to converse with this girl. Oh, rare gift, Rare felicity, this! she can talk in a rational way, can Speak upon subjects that really are matters of mind and of thinking, Yet in perfection retain her simplicity; never, one moment, Never, however you urge it, however you tempt her, consents to Step from ideas and fancies and loving sensations to those vain Conscious understandings that vex the minds of mankind. No, though she talk, it is music; her fingers desert not the keys; 'tis Song, though you hear in the song the articulate vocables sounded, Syllabled singly and sweetly the words of melodious meaning. I am in love, you say; I do not think so, exactly.

on which the names of towns were printed. As these were

There are two different kinds, I believe, of human attraction: One which simply disturbs, unsettles, and makes you uneasy, And another that poises, retains, and fixes and holds you. I have no doubt, for myself, in giving my voice for the latter. I do not wish to be moved, but growing where I was growing, There more truly to grow, to live where as yet I had languished. I do not like being moved: for the will is excited; and action Is a most dangerous thing; I tremble for something factitious, Some malpractice of heart and illegitimate process; We are so prone to these things, with our terrible notions of duty.

Ah, let me look, let me watch, let me wait, unhurried, unprompted! Bid me not venture on aught that could alter or end what is present! Say not, Time flies, and Occasion, that never returns, is departing! Drive me not out yet, ye ill angels with fiery swords, from my Eden, Waiting, and watching, and looking! Let love be its own inspiration! Shall not a voice, if a voice there must be, from the airs that environ, Yea, from the conscious heavens, without our knowledge or effort, Break into audible words? And love be its own inspiration?

Wherefore and how I am certain, I hardly can tell; but it IS so. She doesn't like me, Eustace; I think she never will like me. Is it my fault, as it is my misfortune, my ways are not her ways? Is it my fault, that my habits and modes are dissimilar wholly? 'Tis not her fault; 'tis her nature, her virtue, to misapprehend them: 'Tis not her fault; 'tis her beautiful nature, not ever to know me. Hopeless it seems,--yet I cannot, though hopeless, determine to leave it: She goes--therefore I go; she moves,--I move, not to lose her.

Oh, 'tisn't manly, of course, 'tisn't manly, this method of wooing; 'Tisn't the way very likely to win. For the woman, they tell you, Ever prefers the audacious, the wilful, the vehement hero; She has no heart for the timid, the sensitive soul; and for knowledge,-- Knowledge, O ye Gods!--when did they appreciate knowledge? Wherefore should they, either? I am sure I do not desire it. Ah, and I feel too, Eustace, she cares not a tittle about me! (Care about me, indeed! and do I really expect it?) But my manner offends; my ways are wholly repugnant; Every word that I utter estranges, hurts, and repels her; Every moment of bliss that I gain, in her exquisite presence, Slowly, surely, withdraws her, removes her, and severs her from me. Not that I care very much!--any way I escape from the boy's own Folly, to which I am prone, of loving where it is easy. Not that I mind very much! Why should I? I am not in love, and Am prepared, I think, if not by previous habit, Yet in the spirit beforehand for this and all that is like it; It is an easier matter for us contemplative creatures, Us upon whom the pressure of action is laid so lightly; We, discontented indeed with things in particular, idle, Sickly, complaining, by faith, in the vision of things in general, Manage to hold on our way without, like others around us, Seizing the nearest arm to comfort, help, and support us. Yet, after all, my Eustace, I know but little about it. All I can say for myself, for present alike and for past, is, Mary Trevellyn, Eustace, is certainly worth your acquaintance. You couldn't come, I suppose, as far as Florence to see her?

XV. Georgina Trevellyn to Louisa ----.

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